Monday, November 2, 2009
Sunday, October 4, 2009
Geetham - Shree Gananatha - Malahari raga
To play the first Geetham - Shree Gananatha . This is the first song of the Geetham section for South Indian classical music learners . Set to Malahari raga, written by Shri. Purandara Dasa, the famous poet from Karnataka. The song has been written in praise of Lord Ganesha. For any beginning , it is paramount that we start with worshipping Lord Ganesha , the first and foremost of the Gods.
Charanam 1
shree gaNanaatha sindoora varNa
karuNa saagara karivadana
lambOdara lakumikara
ambaasuta amaravinuta
Charanam 2
siddha caaraNa gaNa sEvita
siddhi vinaayaka tE namO namO(lambOdara)
Charanam 3
sakala vidyaadi poojita
sarvOttama tE namO namO(lambOdara)
Notation:
charaNam 1
m p d S S R R S d p m p
shree ga Na naatha sindoo . ra varNa
r m p d m p d p m g r s
ka ru Na saaga ra ka ri va da na .
pallavi
s r m , g r s r g r s ,
lam. bO , da ra la ku mi ka ra .
r m p d m p d p m g r s
am . baa. su ta a ma ra vi nu ta
s r m , g r s r g r s ,
lam. bO , da ra la ku mi ka ra .
charaNam 2
m p d S S R R S d p m p
siddha caa. ra Na ga Na sE . vi ta
r m p d m p d p m g r s
siddhi vi naaya ka tE . na mO na mO
(lambOdara)
charaNam 3
m p d S S R R S d p m p
sa ka la vidyaa. . di poo. ji ta
r m p d m p d p m g r s
sa r vO t ta ma tE . na mO na mO
(lambOdara)
Meaning:Oh! Lord of all things, colored red, on an ocean of mercy, sporting an ample belly. Oh Bestower of auspiciousness and son of Paarvati. You are worshipped by celestials like the dEvas, siddhas, and caraNas. My obeisance to you, oh Siddhi Vinaayaka. You are hailed as the root of all arts.
Thursday, August 6, 2009
Naatai Raga alapana
An alapana on Nattai raga
Aarohanam: sa ri ga ma pa dha ni sa
Avarohanam: sa ni pa ma ri sa
Aarohanam : sa ri3 ga2 ma1 pa dha3 ni3 sa
Avarohanam : sa ni3 pa ma1 ri3 sa
The raga is another one being used extensively by Composers. This will invariably be applied as the first raga by any Composer . JAGADANANDA KARAKA , the first of the famous Pancharatna kritis of Shri. Thyagaraja was composed using this raga. This is being considered as very auspicious to begin with.
Monday, June 22, 2009
Bhairavi Raga alapana
Bhairavi is a janya raga in Carnatic music. It is also called a Sampoorna raga , with all the seven notes. However, since it has two different dhaivathams in its scale, and hence is not classified as a Melakarta raga .
Aarohaṇa: S R2 G2 M1 P D2 N2 S
Avarohaṇa: S N2 D1 P M1 G2 R2 S
The notes used are chathusruthi rishabham, sadharana gandharam, shuddha madhyamam, chathusruthi dhaivatham & shuddha dhaivatham and kakali nishadham. Note the use of both dhaivathams, chathusruthi (D2) in ārohaṇa and shuddha (D1) in avarohaṇa.
Kalyani Raga alapana
Aarohana: S R2 G3 M2 P D2 N3 S
Avarohana: S N3 D2 P M2 G3 R2 S
The structure : Chathusruthi Rishabam, Anthara Gandharam, Prati Madhyamam, Chathusruthi Dhaivatham, Kakali Nishatham
This is the 65th raga of the Melakarta or Sampoorna raga , the elite group.
One of the most popular ragas in Indian classical music. This raga will be taken up normally by an alapana and then build ragam thanam and pallavi to make it a complete kriti. Probably the best kriti could be Shri. Thyagaraja's NIDHI CHALA SUKAMA .
